Quilt top transformation step 1

Quilt the snot out of it.
Seriously. These are one inch squares.

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I never liked this quilt top.

Not my style, not my colors. It’s been hanging around my studio for years, now. Today I’m quilting it… So I can make something infinitely cooler out of it. You’ll Have to check in later to find out what it is. In the meantime, any guesses?

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Make a kit!

It’s holiday show season! DH and I just hung my work at North Main Studios in Rockford, IL for this weekend’s ArtScene. We’re getting good at this. It only took us about an hour to hang the show this time, which I think is a record. Between the two of us, we managed to remember everything we needed last night, but I can’t help but think that the process could be easier.

To make this happen, I have created a list: show kit contents and procedures to make this happen like clockwork. In the interest of helping fellow artists, I will share it with you.

Setup Kit: The Tool Bag

  • Hammer – To hammer in picture hooks
  • Picture hooks – I’ll let you guess why you need these.
  • Frame hardware – For when the hanging hardware breaks off or for when I forget to properly repair the frame.
  • Wire – See “Frame Hardware” above.
  • Rubber bumpers for frame backs – Sometimes they fall off, and it’s annoying when you can’t get things to hang straight.
  • Awl –  For starting holes in the wall. An awl is like an icepick, a screwdriver with a wicked-looking point on it.
  • Screwdriver (preferably electric): Some venues prefer that you hang using screws instead of nails, and sometimes nails just don’t work. If you don’t have an electric screwdriver, you’re, well, screwed.
  • Hanging screws – These are screws with stops on the end. They’re pretty cool in that you can screw them all the way into the wall and still have the perfect amount sticking out on which to hang your frame/artwork.
  • Level/laser level – You know why you need this.
  • Tape measure – You know why you need this, too.
  • Pencils – Marking where to put that screw/picture hook
  • Sharpie markers in the color of your frames – If you use black frames, you will get dings in them, no matter how careful you are. If you have a black Sharpie, you will decrease the drama of finding that ding/scratch that is ticking you off by being able to touch up that frame. It works like a charm!
  • Steel wool – for buffing out frame scratches that haven’t broken the paint.
  • Business cards – Besides handing these out and making sure that at least one card leaves with every piece of art you sell, you can also use them as artwork labels.
  • Pen – for writing artwork labels on business cards
  • Sticky dots – These removable adhesive dots come in a roll. They’re available in the scrapbook section of your favorite hobby/art supply store, and I wouldn’t do a show without them. They are perfect for sticking labels onto the wall, and for sticking to the bottom corners of lightweight frames to coax them into position. I always have fellow artists asking to use my sticky dots. I’m a hero on the cheap, because it costs about $2.50 for a roll of 200 of these.
  • Glass cleaner and towel – You will need this to remove smudges from frames, walls, glass, etc.
  • Table easels – If you have framed artwork and no walls, you will need these. They are inexpensive and take up very little space.

During the Show

  • Money apron – This is better than a cash box, because it can’t walk away from you. Stock it with about $60 in ones and fives.
  • Foldable bar stool – This is easy to transport and carry, and it will keep you at eye level with your customers, even when your feet and back are tired.
  • Name tag – If your venue is not supplying name tags, you will want your customers to know who the artist is!
  • Square credit card reader – If you’ve been burned by rubber checks and you have an iPhone, use ONLY this brand for processing credit cards. Other companies promise low fees or no fees, but can completely rip you off and cost you hundreds of dollars. Square is the real deal. They even email a receipt to your customer.
  • Hat box (or similar box) – You can use this to store the following items without cluttering up your area:
  • Plastic grocery bags (used, of course!) – Customers will appreciate it if you have these available. They will protect their items on their way home, and also from prying eyes, if your artwork happens to be a gift. If you can find a tissue box in which to store them, it’s even better.
  • Pain reliever – Shows are fun, but they can also be a pain in the neck, back, feet…
  • Snacks and a drink – You will get hungry. You will get thirsty. Don’t pack Cheetos, though. Orange fingers may be distinctive, but they’re not very professional.
  • Napkins and tissues – ‘Nuff said.

Much of this stuff can be kept in a permanent kit, along with a list of the items that can’t be permanently stored with the others. Just store the kit, along with your packaged artwork, in a special area, and your shows will be smoother than ever!

On with the show!

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Stay out of the ditch!

Stitch in the ditch, or the seamline, seems to be the default method of quilting for modern piecers who are afraid of ruining their quilts. I am not sure when this started, as most vintage utility quilts are either tied or have all-over quilting, often in a shell pattern.

Personally, I think that the idea of “ruining” your quilt with stitching in the wrong place is ridiculous. When was the last time you heard somebody say, “Wow, that would have been great if she had just stuck to stitching in the ditch!” I’ve never heard it.

To be sure, there is a point where too much stitching keeps a quilt from being cuddly, but that level of stitching is extremely difficult to attain when working on a shortarm. Let’s face it: it’s hard to get carried away while working on a full size quilt when your machine only goes at a rate of less than a thousand stitches per minute!

So, what is an intimidated home quilter to do to get out of the ditch?

Start by shadow stitching. You can use your machine foot as a guide to stitch next to the seam. It becomes as safe as stitching in the ditch, but it looks more sophisticated.

You can stitch diagonally all the way across the quilt. Many times this is easy because quilts are constructed in blocks.

You can stitch parallel lines lengthwise down the quilt. This is one of the more contemporary designs, and it is once again so simple.

Next time you are sitting in front of the machine, looking for a way to get that quilt sandwich together, just make a promise to yourself to stay out of the ditch!

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Bo-Nash rocks my world

I bought a new ironing board cover and iron shoe from Bo-Nash at the Wisconsin Quilt Festival. Just so you know, this is not a paid advertisement. I am in no way affiliated with the company. I just want to review this product.

My ironing board cover had needed replacing for a while. It was stained from years of use, and it slipped when I ironed large pieces of fabric because it was stretched out. I was planning to make a new one because I don’t like the store ones.

Also, my ironing board is larger than most modern boards. I bought the monster from an estate sale, the source of many of my favorite household items.

When I saw the sweet Bo-Nash huckster at the quilt show, I was impressed. She ironed a variety of wrinkly items, explaining that the silver nonstick cover, made from the same stuff as firemen’s suits, reflected the heat back up through the fabric.

What caught my eye was the fact that the cover adheres to the board, keeping it from slipping.

I bought the regular size, which came with a foam pad. I cut the foam pad to fit, then carefully adhered the cover to the end of the board, smoothing it as I peeled the paper away and clipping the corners so that they would fit the sides and undersides of the board. It just fit my oversized board. The installation was time consuming, but not difficult.

It works great! Ironing goes faster, is more effective, and is easier because the fabric is easily pulled over the board for repositioning. The cover does not slip or sag, and the pad is just soft enough to maintain optimal contact with the iron. The iron shoe… Well, I’ll save that for another day.

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If you have an idea in the forest…

There is a clever little quilt technique and pattern that I’m seeing everywhere right now. It’s becoming a little bit of a fad, and it may actually be something new. And you know what? Every time I see it, it TICKS ME THE HECK OFF! Why? Because I developed and wrote a pattern for it ten years ago.

I’m not going to show you this pattern or  technique because it is most likely that this is a dear woman who came up with the idea on her own, just the way I did. Let’s face it: we’re talking about quilting here, not about Unified Theory. And this post is not about the woman who is getting recognized for this pattern, anyway (to whom I will refer as Ms. Q – for quilter). This post is about the woman who didn’t.

You see, it doesn’t really matter at all whether Ms. Q. stumbled upon her idea by herself (most likely), whether she found one of my old quilts in a charity shop (highly unlikely), or whether she was one of the FIVE people who purchased my original pattern ten years ago and then modified it slightly to bring it up to date (nearly impossible). What matters is that Ms. Q. was the one who was smart enough and ambitious enough to bring it to market and get it published in a real magazine.

So why am I angry? Because I did not have the smarts and ambition to properly market this idea and get it published in a real magazine so that it could become a fad with my name attached to it. In other words, I’m not angry with Ms. Q. I’m angry with myself. Sucks to be me… right now.

Ideas, People, belong to the world. My pattern – the illustrations and instructions – were copyrighted, but the idea didn’t require anything involving a patent. Nobody “stole” anything. Even if she had gone out and used my exact instructions and illustrations (which she did NOT), I would have to go to great personal expense and effort for what would end up to be very little gain, with the added benefit of becoming That Woman Who Sued The Nice Lady Who Came Up With That Cool Idea.

So, what’s an embittered Might-Have-Been to do? Get off her tail and become the next Lady Who Came Up With That Cool Idea. After all, if you only have one good idea in you, do you really deserve much attention anyway?

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Groovy accents

The box at the end of my bed is a toybox. We store sheets in it, but its main purpose is to allow my fifteen-pound, non-jumping dog access to the bed. I’ve looked into getting an actual blanket trunk, but it would be too large for the space.
I noticed that some dirt was falling through the openings in the lid, so I made this cushion for it this weekend.
A hint for all of you: a small amount elastic in the corner straps actually allows you to wrap them around the top. Ask me how I know…

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Opposites Attract

I finished the rest of the blocks for my bed runner last night. There are 56 eight-inch blocks total, using fourteen different prints, plus the solid, which JoAnn sells as a “tea dyed muslin”. I’m interested to see how the muslin washes up, because I was too lazy/impatient to wash it ahead of time. It doesn’t feel terrible off the bolt, but you wouldn’t want to curl up with it, either. I love the look of it, though, because it has little irregularities that you find in unbleached muslin. Because this isn’t a cuddly quilt, I decided to go with it.

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Blocks!

I finished sewing half the blocks for my new project, and I hope to finish the other half tonight. I’ve been collecting and scheming with this fabric for a while. It’s so exciting!

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PITA

I am so glad I was able to finish this block today. My head must have been in the wrong place for working on it, because I ended up doing a fair amount of “un-sewing” while completing it.

I think that my time was better devoted to tidying the Studio.

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